Monday Magazine, VICTORIA – Kelly Dunning The production also benefited from a beautiful set design by Patrick Du Wors, which included the soaring gables of a country church, a towering train trestle, a revolving white piano, and an enormous neon cross descending on wires from the ceiling. The costumes captured each era with flair and style, as the play spans several different years in the lives of the characters from the 1960s to the 1980s.